The finest I can uncover online is that a scherzo is faster, not having actually actual dancers to consider. Other descriptors encompass it being lighter, happier, more fun, and so on. Is tright here simply no pragmatic means to explain the difference? Is tbelow a difference in the initially area various other than rate and name?
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Speaking as someone fairly uneducated, I discover the distinction to be twofold:
A Minuet primarily comes with a better amount of structure, an outcome of its precedence and legacy. This contrasts the scherzo which deserve to be much less structured and also exists more in post-Classical periods than the minuet, which finds its home in Baroque and Classical periods. (Not to say tright here wasn't crossover, of course)
A minuet is nearly constantly dancy, and also (in my experience) almost always in a significant crucial. A scherzo might be much faster, even more frantic, or in a minor essential (I'm reasoning of the Chopin scherzo in C-sharp minor)
Hope this helps!
These musical genres really expect whatever they've expected traditionally. Composers composed pieces and also labeled them "minuets" or "scherzos" and also those labels define the genre, not the other way roughly. So, historically, minuets have actually been light pieces in triple time (3/4) via a reasonably strict create (basically ABA, however it's a little more complex), while scherzos have been in compound time (3/8 or 6/8 or even 3/4 carried out in 1) and not as strictly bound to the minuet form. But you can create a scherzo that explores the boundaries of the create, and if it becomes popular enough it will adjust its definition. I suppose, why did Mozart write 41 symphonies while Beethcooktop might just regulate 9? Because Beethcooktop basically changed the interpretation of the symphony to be much bigger in scope.
Speaking of whom, the Classical/Romantic line is a good approximation of as soon as composers started ditching the minuet and doing a scherzo rather. Maybe they were bored of the 3/4 and also were more excited by the 6/8 and also the possibilities in develop. (That's why I compose scherzos rather of minuets, anyway.) There's a really common four-activity form wbelow the first movement is rapid or moderate, the second is slow-moving, the third is in triple/compound time, and also the fourth is fast.
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The motions comparison and also complement each other. So if you think that the minuet doesn't comparison enough through the various other motions, that's once you compose a scherzo!