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FILE - In this Jan. 23, 2017 file photo, director Luca Guadagnino, clockwise from left, actor Armie Hammer, actor Michael Stuhlbarg, actor Timothee Chalamet and also editor Walter Fasano pose for a portrait to promote the film, "Call Me By Your Name", in the time of the Sundance Film Festival in Park City, Utah. The film is based on the novel by Andre Aciman. (Picture by Taylor Jewell/Invision/AP, File)

NEW YORK (AP) — In the longest and many emotional close-up in "Call Me By Your Name," director Luca Guadagnino asked for 3 variations, one per take, from his young actor, Timothee Chalamet: dry, humid and wet.

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The Italian summer of "Call Me By Your Name," collection in 1983, is unchanging: day-after-day of sunshine and also languid bliss. But for the 17-year-old Elio (Chalamet), who"s awakening to the beauty and also heartbreak of love, the weather is churning.

To capture it all, Guadagnino elected for simplicity. A single 35mm lens for the totality manufacturing. Minimal cuts. And one terrible close-up.

"I shot this on film so if you listen carefully, you will certainly hear the sound of the electronic camera whirling," states Guadagnino. "I love it. Maybe I"m a bit of a perverted cineaste of the 20th century, yet the sound of film running through the wheels of the electronic camera is erotic to me."

An intoxicating eroticism — of love, of cinema — runs deep in "Call Me By Your Name." Because its unveiling at the Sundance Film Festival, Gaudagnino"s sensuous and insightful coming-of-age tale has actually been swooned over prefer few films this year. The film, which Sony Pictures Classics will certainly open in limited release Friday, is thought about an Academy Awards front-runner. On Tuesday, it garnered a leading six Independent Spirit Awards nominations. "It"s life," wrote Vanity Fair of the movie, "messy and brilliant."

"Call Me By Your Name" is based upon the novel by Andre Aciman and also scripted by James Ivory, the 89-year-old filmmaker whose collaborations through Ismail Merchant are renown. It"s around an intelligent, precocious young man (Elio have the right to stop Italian, French and also English, and also plays a suppose piano, as can Chalamet) living in a splendorous northern Italian villa with his academic paleas (Michael Stuhlbarg, Amira Casar). When a 25-year-old graduate student, Oliver (Armie Hammer), concerns stay via them, Elio finds himself attracted intractably toward Oliver.

The film might sound particular in its setting and sexuality, both of which are rendered lushly. (One scene through a juicy peach has actually already grown well known.) But the spell of "Call Me By Your Name" comes from its grasp of universal sensations — of new, uncertain feelings; of the nervous thrill of opening up yourself to another; of feeling your world expand also.

"Regardless of your identity, your orientation or that you"re sitting beside in the theater, as soon as you watch two humans so vulnerably fall in love with each various other in a sweet, tender means, it"s practically impossible for you not to remember the first time you were in a situation prefer that," states Hammer. "That"s among the good unifying points around this film. Humans are human beings and also love is love."

And if you"re going to make a movie around love, you can as well shoot it in the Italian summer. Guadagnino, the Italian filmmaker of "I Am Love" and also "A Bigger Splash," shifted the place slightly to his residence turf, in Crema.

The task began via producers Peter Spears and Howard Rosenmale, that obtained the book"s rights. They got to out to Ivory ("Howards End," ""Remains of the Day") to executive producer, and later concerned him via the suggestion that he and Guadagnino co-direct. But that verified an unappealing prospect to investors and also insurance service providers.

"It was decided, more than likely because I"m so prehistoric, I guess, that Luca have to direct it by himself," Ivory claims, chuckling.

"We were disappointed by the sector. When we realized that it would certainly have been a teeny, teeny tiny movie in a very small amount of time, and that tright here was some interest in me doing it, he was extremely generous," sassist Guadagnino. "He said, "I bless this task if you carry out it.""

That makes "Call Me By Your Name" a distinct fusion of 2 worldwide filmdevices — one an recognized understand of literary adaptation, the other an ascending maestro of sensory detail.

The movie"s various other binary partnership was between the competent Hammer and also the newcomer Chalamet, who credits Hammer with offering him a "road map" for his budding career. They spoke at the Toronto Internationwide Film Festival previously this loss with adulation around each other, boasting of their friendship and reminiscing about their halcyon shoot in Italy. Their days: morning espressos, countryside bike rides, never-finishing meals.

"I will certainly carry the experience for the rest of my life," shelp Hammer. "I"ve never before been challenged or pushed as difficult this movie forced me. It is so a lot about vulnercapability and so much around opening yourself up and offering that to someone else, and also having actually them receive and also provide earlier. It happens in every scene where these 2 interact. It"s what the procedure of making the film felt choose."

"It felt exceptionally liquid," shelp Chalamet. "You practically forgained around the electronic camera sometimes."

Ivory"s manuscript dubbed for more nudity than is in the finimelted film. (Both stars had contract clauses prohibiting full frontal nudity.) And Ivory has actually periodically sounded disappointed that "Call Me By Your Name" lacks a more explicit depiction of lovemaking in between men.

"It appears to me there"s rather a little of nudity. Maybe not as a lot as in some of my movies, yet it"s absolutely there," he claims currently.

Ivory, many of whose films such as the newly restored "Maurice" are taken into consideration landmarks in gay cinema, believes it"s ssuggest "a social point," that American moviemaking shies away from sex in mainstream and also even art-house movies.

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But the significance of "Call Me By Your Name" is in its expertise of youth, one crystallized in an unusually self-mindful monologue yielded through fatherly brilliance by Stuhlbarg late in the film. Hammer believes it have to be forced viewing for all parents-to-be.

"When you"re going to birthing classes and also they"re not showing you that speech," claims Hammer, "you"re going to the wrong area."