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Boogie Woogie was the initially and also to day the only specifically piano music to issue from the blues. Boogie Woogie, a term used to explain the blues piano playing that grew roughly in between the years 1920 and 1945, was a very famous music in tenements. The exceptionally name Boogie was another name for the "residence rent party." Both terms describe a phenomenon that took place in the crowded tenements of Chicearlier, Detroit, New York, and basically every city via a big black populace. Since poverty was a way of life, babsence people learned easily to depend on each other to band together and also to work-related towards widespread goals. One such goal was that of sindicate being able to pay the rent. With joblessness at a commonly high level (at leastern for blacks), men long accustomed to surviving under the many adverse problems ingeniously devised a technique that served the merged functions of increasing the rent and also providing a way of social intercourse. The "House Rent Party" ("The Parlor Social," "The Boogie") was a party provided by a tenant as a way of raising his rent. For the nominal amount of "2 bits" or "four bits," the tenant"s neighbors were treated to an evening of boogie woogie piano by some regional hero, some southern culinary treat such as catfish and Kentucky oysters (carry your very own drinks), as well as some "hangin" out." Of course, such parties were reciprocal - "you come help me pay my rent and I"ll come assist you pay yours." The blues pianist, unfavor most various other instrumentalists, had actually a great deal of mobility largely because he didn"t need to carry his instrument with him. For this reason, the blues pianist was somewhat of a cosmopolite, traveling as soon as the mood, or the neighborhood Sheriff, struck him. A few of the even more famed boogie woogie players were Meade Lux Lewis, Albert Ammons, Cripple Clarence Lofton, Jimmy Yancey, and also Sugar Chile Robinson. Logically sufficient, the initially generation of blues pianists that were born in the 1890"s were affected by ragtime, but the second generation were solely blues players. Some of the features of boogie woogie are: It was born in gin mills, wood camps and also rent parties. Tright here was not much subtlety to the music - negative to poor tools and also unschooled instrumentalists. Volume was produced by physical toughness. Form was always a blues; songs had no genuine start or finishing, much choose African music. Emphasis on rhythm quite than melody. Rerotate to breaks to produce tension and to remainder the left hand. The left hand, which never before differed, could have been an outdevelopment of "stride" piano. Boogie Woogie patterns were personalized a lot prefer the field hollers and also hawking cries. The left hand ostinato (a repetitive figure) offered as a forerunner of rhythm and blues. Unpianistic music. Percussive and rugged. Uneven and unpredictable.In current years, tbelow has appeared many pretentious nonsense around the unconventional length of the "typical 12 bar blues." Those that rave about this unusual folk pattern would have a tough time explaining Clarence"s peculiar phrase and also period lengths. In his version of "Pinetop"s Boogie," his initially three choruses are respectively eleven, ten, and twelve steps in size. In the last component of the item, Clarence favors a fourteenager bar building and construction, with a final chorus of 14 1/2 for excellent measure! Odd expression lengths were additionally in his previous solo art recording of "Streamline Train" and "Had A Dream," and also "I Don"t Know" (in which pairs of 19 and 20 bar choruses are followed by one of 19 1/2). Quite evidently, Clarence did not collection out either to make his music screwy, or mathematically complicated; he simply played the notes to express what he felt, and also couldn"t be bothered to count out the variety of beats. After all, Clarence did not even regard himself as a pianist, however simply as a singing entertainer that made great money in his day. "Man I"ve made as much as $3.00 a night," he has sassist. Eight-eighth notes to the bar or at leastern an eighth note feeling. Use of octaves, trills, and so on A 2 voiced music. Rhythm and also shade were more necessary than chords. Right hand embroidered and provided filigree Blues scale through chromaticism. Many various other melodies transcreated to boogies. (i.e., "Bumble Bee Boogie," "Begin the Beguine Boogie," "Chopstick Boogie")."The piano was one of the last instruments to be mastered by the Negro performers, and it was not until the development of boogie woogie that Negro musicians succeeded in producing a piano music that was within the emotional legacy of Negro music." (LeRoi Jones, Blues People, p. 90) The music decreased bereason of commercial limitations and also refinements on the one hand also, and on the various other, as soon as it got too far from the setting that spawned it. It is axiomatic that refinement and elaboration in any kind of art are accompanied by a equivalent decline in vitality, ruggedness, spirited abandon, ingeniousness and also intensity of expression.