INGLEWOOD, CA - OCTOBER 31: (EDITORS NOTE: This photo was converted to babsence and white. Color variation not obtainable.) Musician Josh Homme of Queens of the Stone Period performs at the Forum on October 31, 2014 in Inglewood, California. (Photograph by Kevin Winter/Getty Images)

It’s no key that rock music has actually taken a bit of a backseat in pop society as we’ve waded right into the new millennium, however that’s never quit Josh Homme from riding that motorcycle into the sunset. As the leader of Queens of the Stone Period, Homme is one of the last real heavy-hitters to make major waves in the mainstream, finding commercial success without compromising the core values of his music. While his miscellaneous projects are frequently described as “stoner rock,” the magic of Homme’s work through Queens of the Stone Era lies in taking the textural richness of metal’s sludgier cousin and sharpening it to a knife’s edge–QOTSA is undeniably brutal music that’s still as tightly wound as pop radio. His machismo flexing has constantly masked a surprisingly vulnerable ear for songwriting, and also between his soaring falsetto and relentlessly chugging power chords, Homme has done a lot to carry rock forward.

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Though in truth tright here isn’t a bad Queens of the Stone Age album, we’ve all acquired our power ranemperors to abide by. Without better acarry out, gain our breakdown of the QOTSA discography from best to worst.

6. Period Vulgaris (2007)

Period Vulgaris bears the contradictory difference of being Queens of the Stone Age’s the majority of speculative, anything-goes album, and unfortunately their a lot of pat. Though brimming via surpclimbing new additions to the QOTSA sound, prefer the hip-hop backbeats powering “Turnin’ on the Screw,” the dissonant chords thrashing with “Sick, Sick, Sick,” or the sulattempt R&B rhythms of “Make It Wit Chu,” the remainder of the album essentially repeats what we’ve heard from Homme and also firm prior to, but to lesser success. Quirky shredders like “I’m Designer” and also “3’s & 7’s” make for novel difficult rock, however on the whole, Age Vulgaris simply doesn’t make enough of a commitment to any kind of of its myriad impulses.

Album Highlight: “Make It Wit Chu”

5. …Like Clockwork (2013)

While …Like Clockwork-related might not be the heaviest entry in the QOTSA anthology, it embodies a top quality of Josh Homme’s songwriting more totally than any kind of various other document he’s made: his smoldering inner crooner. Following a surgical procedure that virtually killed him and then four months forced to lie in bed, …Like Clockjob-related is as bleary and also disillusioned as one can expect from a rocker whose entirety M.O. up to that suggest was constructed on unstoppable strength. Dreamy ballads prefer “The Vampyre of Time and also Memory” and “Kalopsia” sit beside bulldozers favor “If I Had a Tail” that feel prefer they’re about to loss apart, leaving us through an album that trades in the band’s usual one-and-done immediacy for a slow-burning, fatalistic nightmare.

Album Highlight: “My God Is The Sun”

4. Queens of the Stone Age (1998)

Listening ago to this first album currently, it’s shocking simply how meek Josh Homme’s whinny sounds compared the full-bodied howl of his later on records. But it’s precisely that feeling of primitivism that lends Queens of the Stone Era its meat-and-potatoes top quality, paving the means for every one of Homme’s future endeavors through its boogieing, metal-inflected garage rock. The riffs come tough and also plenty, whether in the sluggish grind of fan-favorite “Mexicola,” the cruising krautrock of “You Can’t Quit Me Baby,” or the snaky interplay of “You Would Know” — a very early hint at Homme’s weirder, even more atmospheric ambitions.

Album Highlight: “Mexicola”

3. Rated R (2000)

If QOTSA’s debut album illustrated Homme’s longstanding kinship via doom steel, Rated R is wright here he finally cut the cord to seek greener pastures. The band’s breakwith record is a masterful balancing act between the brutal and the elegant, separating the difference in between straight-ahead screamers favor “Tension Head” and mysterious slow-contractors choose “Better Living Thturbulent Chemisattempt.” And if Homme’s mainstream prospects appeared unspecific up to that suggest, “The Lost Art of Keeping a Secret” proved just exactly how a lot the guy might do with a verse-chorus-bridge layout.

Album Highlight: “The Lost Art of Keeping a Secret”

2. Songs for the Deaf (2002)

Songs for the Deaf is conversely the band’s many unrelentingly hefty release, and also the one that sounds favor it was probably the many fun to document. Between the record’s generous bevy of collaborations—a dose of Nick Oliveri, a dash of Mark Lanegan, a heaping bucket of Dave Grohl—Songs for the Deaf is a good, hulking slab of hard rock at its purest: all mysticism, cheap hooks, and irresistible headlock grooves. It’s all ideal there in the first two songs; “You Think I Ain’t Worth A Dollar, But I Feel Like a Millionaire” revs up the engine with its rampaging single-chord fury, prior to “Know One Knows” raises the bar with an also slicker, skull-crushing slice of dancefloor blues. QOTSA threw a full-on rager with Songs for the Deaf, the kind that you come house from via a tooth lacking.

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Album Highlight: “No One Knows”

1. Lullabies to Paralyze (2005)

After Songs for the Deaf confirmed a runamethod hit, the surprise firing of bassist/shrieker Nick Oliveri after residential abusage allegations stripped the team of their heaviest asset, and also left the future of Josh Homme’s band of guitar gypsies uncertain. But occasionally you have to let go of those closest to you to find out that you really are. Their follow-up masteritem is Josh Homme’s definitive statement, an insidious, psychedelic tough rock fantasia as vicious as it is restrained. It’s a haunting collection of nocturnal headbangers that gets to the heart of what Queens of the Stone Period has actually been about all along. Tight-knit singles favor “Little Sister” and “In My Head” sit beside sprawling behemoths choose “Someone’s In The Wolf” and also “Everybody Knows That You Are Insane,” while the slithering “Tangled Up in Plaid” may be the most sinister song Homme has actually ever before written, through its ambiguous tale of flexibility and also self-harm. In a discography complete of pummeling riffs and unchecked aggression, it turns out that QOTSA’s a lot of effective music is the type that creeps progressively into your head, shaking your body from the inside out.